Just a few quick thoughts on the remarkable player/author/composer Richard Réti.
We all know about Paul Morphy's Romantic nature - that is, his love afair with combinative chess. One of the founders of hypermodern chess and a positional player of the first rank had this to say about combinative chess:
A combination composed of a sacrifice has more immediate effect upon the person playing over the game in which it occurs than another combination, because the apparent senselessness of the sacrifice is convincing proof of the design of the player offering it. Hence it comes that the risk of material, and the victory of the weaker material over the stronger material, gives the impression of a symbol of the mastery of mind over matter. Now we see wherein lies the pleasure to be derived from a chess combination. It lies in the feeling that a human mind is behind the game dominating the inanimate pieces with which the game is carried on, and giving them the breath of life. We may regard it as an intellectual delight, equal to that afforded us by the knowledge that behind so many apparently disconnected and seemingly chance happenings in the physical world lies the one great ruling spirit - the law of Nature.
Réti also put a slightly different spin on the precept that tactics flow from position (which, in a sense, puts positional play on a higher level than tactical play) when he wrote: A knowledge of tactics is the foundation of positional play. This is a rule which has stood its test in chess history and one which we cannot impress forcibly enough upon the young chess player. A beginner should avoid Queen's Gambit and French Defence and play open games instead! While he may not win as many games at first, he will in the long run be amply compensated by acquiring a thorough knowledge of the game.
and
The scheme of a game is played on positional lines, the decision of it is, as a rule, effected by combinations. This is how Lasker's pronouncement that positional play is the preparation for combinations is to be understood.
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