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Unusual Notation

I'm an algebraic kind of girl.  I learned to play chess on a computer and that notation comes most natural to me.  In the course of reading old texts, periodicals and books, I've had to transpose descriptive into algebraic notaion, though I have no facility using descriptive.  Oddly, however, when I do describe a particular move, I tend resort to descriptive. Go figure.

I've come across many different types of notations in my meanderings most of which never gained much popularity and usually for good reasons.

In preparing a future article on Alexander Petroff, I've, of course, had to consult the writings of Carl Jaenisch.  Jaenisch was an important 19th century theorist during a time when even the rules of chess hadn't been solidified.

In Jaenisch's "New Analysis of the Openings of the Game of Chess," published at St. Petersburg in 1843, he praises Petroff's treatise, Systematized Chess Play,  published in 1824.  In turn, several sources praise Jaenisch's book.

The 1852 translation of Jaenisch's Analysis used a very peculiar form of notation.  It employs a style similar to many 19th century analyses, but adds a few twists of its own.  At first it all looked like gibberish to me, but since I wanted to look at a particular game of Petroff, I had to learn how to use the notation. To my surprise, the notation was easy to learn and even easier to follow.

 

 



 

About the game itself -
F. Alexander Hoffmann (or Hoffman) along with Petrofsky (who contended successfully against Boncourt and Calvi in Paris and who Labourdonnais considered equal to George Walker) were the two strongest players of the Warsaw Chess Club.  In February of 1836 Petroff played the entire Warsaw Chess Club in consulation. Consultation games were a rarity back then, especially against consulting players of great skill.   Petroff's stake was 200 ducats against 100 for his opponents.  The match lasted through 3 sittings and ended without decision through "circumstances of a delicate nature, but altogether unconnected with Chess," though Petroff was a pawn up in the endgame.  The game was followed in the Gazeta Warszawska.

 




 

 

   The volume concludes with a remarkably fine game, played by M. Petroff against the Warsaw club. Taken as a whole, the work is a specimen of extraordinary accuracy, and cannot fail being well received by all lovers of the game. - Chess Players' Chronicle

   Jaenisch, in his work, presents, as a model of beautiful play, a grand game played by Petroff (the Lion of Russia), single handed, against the whole Warsaw Club in council. The game consisted of three sittings over the board, and was then unfortunately interrupted altogether.
    Petroff being left with a Pawn more, and an end-game which Jaenisch pronounces a secure ultimate win. The game in question is indeed a specimen of classical chess-play. M. Petroff is the author of a large work on Chess, in the Russian language, and is certainly one of the greatest players of the day. His countryman Jaenisch styles him "the Philidor of Russia," and considers him almost unequalled.
- A Popular Introduction to the Study and Practice of Chess by Samuel Standige Boden

 

Comments


  • 4 months ago

    batgirl

    That's a quite fascinating site.  Thanks for bringing it to my attention. The 2011 quiz included the Jaenisch notation, the 2012 quiz includeded the Kieseritsky notation. 

  • 4 months ago

    bemweeks

    Miss Cohen - Thanks very much. After I posted the piece I found out that the scan figured in a contest. See...

    CREB.BE
    http://www.creb.be/

    ... and search for 'quiz'. There are two of them -- 2011 & 2012 -- stored as PDFs. I forget which one included the Paris game. - Mark

  • 4 months ago

    batgirl

    Mr. Weeks,

    I posted on your blog:

    That notation is identical to the notation used by Lionel Kieseritsky used in la Régence (which he founded in 1849).
    You can peruse through a copy at Google Books

    He gave the "key" to his notation in the frontpiece of the magazine
    Note that the ranks are numbered 10-80 and the files 1-10. Each square has it's own number, much like the coordinates used in algebraic notation. The number is arrived at by adding the rank and the file. So, a1= 10+1=11a2=20+1=21b1=10+2=12, etc. This absolute notation was a far cry from the relative descriptive notation in vogue at the time. 

    The pawns are denoted by lower case letters a-h, while the pieces correspond to the upper-case letters that occupy their square in the "key."

    Below is Kieseritsky's publication of the Immortal Game (with his own notes)

     

    Notes:

    1) See Games II, XI, XIX, LXXUI, LXXIV, LXXX, LXXXV,
    XCII, CIII, CIV, CV, CXVI, CXVII, CXXVII, CXXVIII, and CXXXV
    CXL.
    2) White has only two ways to save the Rook, namely, E-25 and G-48,
    because by playing E-17 he would the lose the Bishop by D-62-X
    3) This is not the best move; he should play g-67, and if then
    White plays 37-g, it's answered by F-75.
    4) From this moment White's play is superior.
    5) Instead of taking the Bishop that White had left skillfully
    en pris, it would be much better to push for d-64
    and get rid of the Knight as soon as possible.
    6) The only move to save the Queen
    7) Perfect combination
    8) Taking the Pawn and the attacking both Rooks is too tempting to resist.
    9) The coup de grâce, which negates all efforts of the opponent.
    This game was conducted by Mr. Anderssen with remarkable skill.
    L. K.

     

     


  • 4 months ago

    bemweeks

    Re strange notations, any idea about this one...

    Mystery Notation
    http://chessforallages.blogspot.com/2012/01/mystery-notation.html

    ...Even a small clue would be helpful. - Mark

  • 4 months ago

    Eternal_Patzer

    I wonder if all this might indicate something about our preferred modes of thought? Pure conjecture, but could a willingness to embrace a new notation be connected to linguistic aptitude?

    On the other hand a preference for standard algebraic may indicate mental laziness, as in my case ;-) or it may indicate a mathematical type of thinking which prefers not to clutter up the thinking process with different notation for pieces that are functionally identical in that they could trade places with each other and the position and resulting calculations would be the same.

  • 4 months ago

    Alex1968

    Very interesting

  • 4 months ago

    batgirl

    BCG1,
    Thanks. Taking a game written in descriptive and making the moves on a digital interface to come up with a pgn is often quite painful for me, though I do it a lot.  But if the flow reverses, and I have to describe a series of moves, doing so descriptively is almost natural, even though I think in algebraic.  It may be common, but it still seems weird.

    Several people here noted the difficulty in keeping up with which knight or rook is which, but in that respect it seems no different than descriptive where one rook is called the QR and the other the KR throughout the game, particularly if there's a possibility to move either one. The notation above just applies separate, rather cute names (such as Nag and Mare) to the similar pieces.

    Crazychessplaya gave a nice little puzzle, though maybe too easy to be a "problem."  Hoffmann played on the wrong side of Petroff's Immortal game, but I never knew he had aspirations as a problemist.  That's good to know. Thanks.

  • 4 months ago

    BCG1

    Batgirl your use of descriptive when analyzing exchanges or other  moves  does not strike me as strange at all. I learned the game using English Descriptive Notation but quickly switched when algebraic came into fashion in the US. Now when analyzing I find that I think positionally in algebraic such as "I must keep control of e4" or "The h1-a8 diagonal is key" etc. But when it comes to tactics, exchanges etc. it comes out in descriptive as " Let's see...if pawn takes knight , then bishop takes pawn..." etc. etc. The mix seems logical enough!

  • 4 months ago

    Crazychessplaya

    Speaking of Aleksander Hoffman, very few games of his survive. He is better known for being perhaps the first Polish chess problem composer. Here is a five-mover published in the Schachzeitung in 1846:

  • 4 months ago

    TheCabal

    Good that it is kept simple. I would get mixed up tracking the bishop/prelate, rook/castle...

  • 4 months ago

    Eternal_Patzer

    @ZBicyclist - Agree.  I suspect that's why this notation never caught on.  Although the Bishop and Prelate will always be different, the Rooks and Knights will quickly get mixed up all over the board and then keeping track of them separately seems needlessly tedious.

  • 4 months ago

    ZBicyclist

    Interesting notation. This seems to demand that the notator keep track of where otherwise identical pieces began: C and R, N and M, and all those pawns!

  • 4 months ago

    F22Raptor

    i think that the final position is drawn

  • 4 months ago

    elbowgrease

    Interesting

  • 4 months ago

    Dominix_UFC

    anyone agree that move 33 wouldve been better instead of moving 33.Bg3, just move Bh4? sets up great possible mates, even with the trade of bishops

  • 4 months ago

    Lawdoginator

    Strange. 

  • 4 months ago

    Cystem_Phailure

    Such amazing items you come up with!

    And this is a nice, old, source of rebuttal to the "purists" who like to claim that "castle" for "Rook" has always been just a child's or newbie's term.

  • 4 months ago

    fmarti

    Very interesting.

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